On Saturday night, parts of the Christchurch inner city red zone were transformed from earthquake
ruined remnants into a lighting extravaganza that attracted thousands of
residents..... I’m not good at counting large crowds but I’d estimate around
10,000. One friend was more precise when asked how many people he thought were
there: “Shitloads,” he said - which apparently is more than a lot.
In short, LuxCity,
organised by the Festival of Transitional Architecture (FESTA), was a roaring
success and festival director, Jessica Halliday was rightly pleased with the
turnout. Numbers exceeded their expectations (to put it mildly), and at one
point, you could barely move in the squash of humanity. I saw one or two people
with that wild, fearful look on their faces that hint at panic and I fleetingly
mused on what might happen if there was an earthquake.....as you do in
Christchurch.
In collaboration with
Christchurch-based clients, approximately 16 design studios made up of over 350
architectural students from five architectural schools (University of Auckland,
AUT, CPIT, Unitec and Victoria University),
created “a city of light” for the one-night event. Fully functional
bars, cafes, theatres and restaurants featured (as the clients) and each studio
had to fulfill an individual client brief.
When I spoke with
Camia Young, an architectural tutor at Auckland University a few weeks ago, she
laughed at “nightmare task of organising such an event and coordinating so many
students in so many different places.” Young was liaising with FESTA to bring LuxCity
to fruition and while she may have had some ‘head-scratching’ moments, I’m sure
she too, would have been amazed by the
response and delighted that students experienced such an intense learning
curve.
“We wanted to create a
unique concept for Christchurch – to look at it as a design opportunity for the
students. There’s no other place in the world right now where they could do
something like this and we’ll never have this context again,” she said then.
She said students
would gain ‘real world’ experience in the process of organising their LuxCity
installations. They had to find sponsors and work within tight time-lines. There
were builders and budgets to manage; and they have to develop communication skills,
timing and an understanding of all the technical facets of architecture. It
was, she said, an excellent example of lots of creative thinkers coming
together around design, to make a contribution to Christchurch.
The laser beams,
projections, the coloured lights and the all-round sense of bonhomie set amid
the ruins of our broken city turned out to be a huge success. By daylight,
there were times, as I watched the teams setting up, when I wondered what on
earth some of them were thinking (designwise) – and if they would ever finish
on time; but by nightfall, it all came
together as a slightly surreal yet very uplifting event.
The fact that so many
thousands of people turned up for LuxCity shows there’s a real need for bright,
positive initiatives that both entertain and inform – not just the crowds
but the participants themselves. As Camia
Young said earlier, there is no other place in the world right now, where we
have the opportunity to risk and to learn so much. We should be embracing that
and making it work for us all.
Thankfully, there is a
synergy at work in Christchurch right now – not always well publicised – but
it’s there, working away at the edges, coming up with alternatives to
conventional city planning and entertainment. Taking the arts out into the
community is just one part of that and while it’s not what we chose – it’s
been forced upon us by the earthquakes – it’s turning out to be one of the best
things to ever happen to conservative Christchurch. And at a time when it’s
easy to feel disempowered and burdened by the bureaucratic processes involved
in earthquake recovery, events like LuxCity give the people of Christchurch
life, colour and hope. All those bright lights last night, just reinforced for
me that we’re living in interesting, dynamic times and it’s amazing to be a
part of that.
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