Showing posts with label Christchruch Earthquake. Show all posts
Showing posts with label Christchruch Earthquake. Show all posts

Sunday, February 21, 2016

Random Anniversary Thoughts


Try to imagine all of the photographs you are about to see here, as images of busy, vibrant neighbourhoods filled with all the usual signs of suburban domestic life - streets lined with houses and cars, kids playing in the streets, people gardening and mowing and their lawns, or chatting over the fence.

Because just five-and-a-half years ago, before the September 2010 7.1-magnitude earthquake struck, that's exactly what they were.

Five months after that first big quake, the people of these suburban streets thought they might be on the way to recovery. But that's when the 6.3-magnitude earthquake struck - on February 22, 2011.
Their lives were never the same again.




Tomorrow, February 22, 2016 is the 5-year anniversary of the February quake and in recognition of that, I once again went walking with my camera the Christchurch residential Red Zones.
That's something I've done consistently since the first quakes - much of it catalogued here on this blog - but this time, with the Red Zones now  devoid of close to 8,000 homes, it's a surreal experience.



I found myself standing still on corner after corner trying to remember what the streets had been like before.
There are so many things there at odds with my memory of houses and families - gardens reverting to swamp, flocks of geese, plovers and paradise ducks taking over the blank spaces, the total silence but for a  man hard at work mowing now-fenced-off expanses of 'lawns' - or are they paddocks or parks?
And if they are parks, why are they fenced off?

There is the occasional dog walker.
And yesterday, a lone woman, hobbling between orange road cones with a walking stick, decorating each one with flowers for the anniversary. It was hard not to think that her limp may have been connected to her own personal earthquake experience.


And I met a fruit forager or two.
I snared a handful of rosy apples for myself in fact.
It's hard to see fruit trees laden with peaches, plums, pears and apples in various stages of ripeness and not think about the people who would normally be watching their fruit in their own back garden, waiting to pick them fresh.

Fruit foraging has become a bit of a thing in the Christchurch Red Zones actually.
Charlie Gates at The Press has written about it. He sent me a link.





In my last blog here, I talked about moving on - beyond the earthquakes.
I think many people in Christchurch felt they were finally at 'saturation point' and that it was time to think about the bigger, brighter future (where that was possible).
I think we all thought the worst of the earthquakes were over.

Then last Sunday happened - February 14.
A 5.9-magnitude quake that frightened many of us much more than we would ever have anticipated.
We've had dozens of after-shocks in the week since.
And it's (almost) like revisiting 2010, 2011, 2012 and 2013 all over again - those days when every day was peppered with multiple after-shocks.




I sat on my sofa that night, my heart racing and I contemplated the unthinkable - another big earthquake that would undo all the house repairs that I had waited four-and-a-half-years for.
I thought then, that if that happened, I would walk away from Christchurch.
I felt certain I couldn't go through all that again - and I spoke to several people to all said the same thing - that another quake would be IT - the signal that it was time to leave.

But would we?
We've stayed through the mayhem of the major quakes, the enormous damage and loss of life they caused.
We've stayed through the incredible frustrations of trying to get our voices heard by EQC and insurance companies - and we've stayed through the disruption of moving out of our houses so they can be repaired.
Then we've done battle all over again - are still, in many cases - as we try to get faulty repairs attended to. 

But despite all that, perhaps our ties to place are more complex than we imagine.
For some, the decision will always be clear cut.
For others, it will be far less straightforward.
And for many more, since the earthquakes, there simply is no choice.




I thought about all that again yesterday, as I walked through these silent, bruised places where tortured roads have disintegrated into potholed tracks, where footpaths stop suddenly as if they've run out of breath, where rogue garden plants - roses, agapathus, red hot pokers, honeysuckles - still flower without an audience.

I imagined I heard voices on the wind.
It was probably just a waft of music from some still-liveable house a few streets away but when you stand in these damaged places, it's not hard to imagine the intangible.
I wouldn't want to be there at night.



I'll go back to work tomorrow and apart form our planned office commemoration of the event with a spell of thoughtful silence, I will probably be so busy, that I will forget these photographs.
(For a time).
As I scroll back through them now, I could almost image them as a series of photographs of deserted back-country roads.
But these are not back-country roads.
This is Christchurch.
These are the photographs of the remnants of the city's eastern suburbs.
These are the remnants of people's lives.

Saturday, October 5, 2013

Welcome to Christchurch


Welcome to Christchurch - the Copthorne Hotel, welcoming guests since ages ago


Advancing like an ancient dinosaur


Ninja - Ready for anything in Christchurch


History in the Making


Barbie - and the night out that went very, very wrong

Wednesday, October 2, 2013

Christchurch in Eight Verticals


Spring Green


Memorial Stones


Unauthorised Vehicles


Bart Simpson


Empty Shell


Danger Construction


Bird Roost


Afternoon Light

Sunday, September 29, 2013

Art in Unexpected Places

One of my favourite shots of Michael Parakowhai's Bull - looking ready to charge the portaloos.

He makes a good billboard too, outside the still-closed Christchurch Art Gallery.

I walked around inner city Christchurch last weekend and found myself photographing some of the many art works that have sprung up since the 2010 earthquake They are many and diverse, and I've photographed a lot of them many times, at different times of day (and night), in different weather. I like that we can do this now - that we have this sudden intimacy with contemporary artworks away from the more formal confines of an art gallery. It brings them to life in new ways I think.
I haven't names all the works I've shown here - mostly because I've either forgotten who the artist is, or, more likely, it's Sunday and I can't be bothered digging around in my files to find out. But I have gathered these images for visual pleasure - and to remind people everywhere that not everything about earthquake-stricken Christchurch is grey and glum and broken.
This is a fabulous display of photographs and texts related to the Christchurch earthquakes - interviews with those who have lived through the worst of it. It stretches along Worcester Boulevard and if you're in Christchurch, it's definitely worth a long look.
I like that the ability to decorate our battered city isn't restricted to the art elite. There's a ton of street art showing up, illuminating dark corners, and this series of works outside the broken (and closed) Christchurch Arts Centre - by school kids I'd say.
Dick Frizzell's marvellous work, set off beautifully by towering cranes and the skeletal beginnings of a new rebuild.
And a wider view, showing my favourite yellow work on the rear of Christchurch Art Gallery - artist's name forgotten and I'm too lazy to get out of my chair to find the appropriate issue of the gallery mag. part of the gallery's Outer Spaces series anyway.
""Fly me up to where you are" by Tiffany Singh, suspended outside the Christchurch City Council - and nicely reflected in the glazed facade.
Another work - I think - from Christchurch Art Gallery's Outer Spaces series called 'Faces from the Collection." Artist unknown.
"Faux Arcadia" by Michaela Cox, high on an exposed concrete block wall at the intersection of High and Hereford Streets.
Street art, Restart Mall
Street art, Restart Mall
The painted aerial pedestrian walkway over Colombo Street - or part of.

Another from "Faces in the Collection" - this one by Michael Smither.
I like the way it sits beside advertisements for hayfever and allergy medications on the outside of a Cashel Mall pharmacy.
And perhaps my favourite shot of all - One of Neil Dawson's sculptures, sitting on a cordoned off patch of grass like a strange space ship clone. It used to hang over Cashel Mall before the earthquakes. Now it sits here under the trees, behind the cordoned off Otautahi building, waiting for a new beginning.
We all do a lot of waiting around here.
So it's nice to have interesting things to look at.
We could be waiting a lot longer yet.
For repairs.
For a new city.

Wednesday, August 8, 2012

Art in the Bush

Kinetic work by NZ sculptor Phil Price

It’s a time for art – as opposed to earthquakes. For the last two years, I’ve been so focussed on documenting the changing face of post-earthquake Christchurch, that my usual posts on my other passions – art, architecture, design and general ‘visual paraphernalia’ – have slipped by the wayside. But it’s not for a lack of thinking about them; and ever since I was introduced to the McClelland Gallery & Sculpture Park on Melbourne’s Mornington Peninsula in May, I’ve been planning to share some of the highlights.
When a friend suggested the visit, I was apprehensive. I hadn’t heard of the park – despite it being billed as “Australia’s leading sculpture park” – and I imagined giant tin koala bears, stone kangaroos and wooden wombats cavorting across the landscape. I needn’t have worried. The place is astonishing and quite the best sculpture park I’ve seen in a long time.


"Torus - Hidden & Revealed"Adrian Page, Australia 1945-2010.

Set in 16 hectares of bush and landscaped gardens in Langwarrin, 4kms east of Frankston on the Mornington Peninsula, it attracts thousands of visitors each year. While the modern gallery presents an inspiring and engaging range of changing exhibitions and public programs, the outdoor sculpture collection showcases over 70 works by prominent Australian sculptors such as Inge King, Lenton Parr, Clement Meadmore, Anthony Pryor and Norma Redpath along with, recent acquisitions including Rick Amor, Peter Corlett, Robert Owen, Lisa Roet and Ken Unsworth – and I was thrilled to discover, three works by Christchurch sculpture, Phil Price, including the top work shown above, which Rupert Murdoch and his family commissioned for their mother, Lady Elisabeth Murdoch’s 100th birthday in 2009. (She is now 103).

"Twisters 2006" Phil Price, New Zealand B.1965
Kinetic Sculpture, Phil Price, New Zealand.

"Red Memory Smile (detail), Chen Wenling, China B. 1969


"Annulus 2007" Ken Unsworth Asutralia. B.1931.

"White  Ape 2005" Lisa Roet, Australia. B.1967

"Anno Domino 2009" Geoffrey Ricardo, Australia. B.1964.

""Spillwater 1966-67" Matthew Cox & Darren Davison, Australia
(One of my favourites - so quintessentially Australian)

Not actually an artwork at all - just a buoy in the lake. But it was my favourite shot of the day.

I forgot to get the name of this work - I was so duistracted by its reflection in the lake, not to mention that buoy.

Another of my favourite pieces that I forgot to name.

"Libra 1977" Lenton Parr, Australia, 1924-2003.

"Snuffle 2002-03" Sebastian Di Mauro, Australia.  B.1955

"Red,Yellow,Black 2002-03" Peter D Cole, Australia. B.1947

"Untitled 1/76, 1976" Reg Parker, Australia. B.1925.
Another of my favourite pieces.

Finishing where I began..... the unnamed man in the trees.

And, because I'm never far from either art or earthquakes these days, here's a very happy combination - Michael Parakowhai's Bulls, currently on show in Christchurch on a now-vacant city lot.

The Bulls of course are part of another whole story about the flourishing of art in Christchurch's earthquake-torn public spaces. In the absence of galleries, art has taken to the streets...... but more on that another time.


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