Showing posts with label Hawke's Bay Museum and Art Gallery. Show all posts
Showing posts with label Hawke's Bay Museum and Art Gallery. Show all posts

Wednesday, December 1, 2010

Dress Circle - A History of New Zealand Fashion

All fashion images shown supplied by Random House New Zealand.
All are works depicted in the book, from Deborah and Mark Smith, Collection of Hawke's Bay Musuem and Art Gallery Before 1940, New Zealand was a nation of home sewers and imported fashion styles but then, our own independent fashion designers began to emerge. You can now read all about our colourful fashion design journey in The Dress Circle, an exquisitely illustrated book co-authored by three New Zealand museum professionals: Douglas Lloyd Jenkins, director of Hawke's Bay Museum and Art Gallery, Claire Regnault, Senior Curator at The Museum of New Zealand - Te Papa Tongarewa and Lucy Hammonds, curator at Hawke's Bay Museum and Art Gallery.
Garments from the Hawke's Bay Museums Trust Collection play a starring role in Dress Circile: New Zealand Fashion Since 1940, a book that spreads itself over seven decades of creative endeavour. All three authors have been closely involved with the museum's fashion and textiles collection - Claire Regnault formerly worked as a curator at HBMAG and Douglas and Lucy are both currently based there - and many of the garments photographed in the book, showcase the diversity and quality of the museum's own collection.
The writing/curation trio - all with extensive experience in fashion and textiles -spent many hours fossicking in photo archives, delving into records, leafing through old magazines and interviewing key players to capture the full, rich story, which for many, will be a walk down memory lane. They relate the glamorous days of exclusive fashion parades in department stores like Milne & Choyce, Smith & Caughey, Kirkaldie & Staines and Ballantynes; they introduce early labels like El Jay and Miss Deb, moving through the years to Annie Bonza, Hullabaloo and Zephyr; and they catalogue the achievements of current high-street favourites like Karen Walker, Kate Sylvester and Zambesi and more.
The authors have 'lifted the skirts' of New Zealand fashion to reveal a tantalising collection of characters and personalities - a coutouriere who ran the infamous Ring Terrace brothel; Kiwi men baulking at the loss of cuff turn-ups during wartime rationing; the fashion impresario, who was spat on in Queen Street for her "provocative" dress sense; and one of our greatest All Blacks, who had his own women's fashion label. I always find those stories about the people, those everyday vignettes in any industry or profession, the most engaging. They shine a light on people, places and professions and give us a deeper understanding of the business in question.
Lloyd Jenkins, Regnault and Hammonds have left no stone unturned and for all the personable, amusing anecdotes, there is an equal weight of scholarship. They've deftly explored the fashion industry inside out, always putting it into the broader social and commercial context. There is discussion centred on the emergence of our design-led clothing industry, the creative processes of design and the knowledge, methods and circumstances of production that has produced the goods. Everything is there - written into this handsome, fat volume that unbuttons 'a rich history of sharp business, textile production, colourful personalities, pioneering designers, government policies, radical reforms, the rag-trade communities, the fashion awards that make up our very distinctive fashion design culture.
The Dress Circle: New Zealand Fashion Design Since 1940 is published by Random House New Zealand (Godwit) and retails for NZ$75.

Wednesday, April 7, 2010

Sara Hughes - For Kultur

Both images: For Kultur - Sara Hughes, 2010, Hawke's Bay Museum & Art Gallery, Photography David Frost The last time I featured work by Auckland artist Sara Hughes, was when she embellished Christchurch Art Gallery with her sensational coloured stripes....and you can see that work by clicking on Sara's name in the label line below this post. If nothing else, it will give you an excellent counterpoint to her current show at Hawke's Bay Museum & Art Gallery - a warm, enticing show that is proving to be a winner with visitors to the gallery.
Three images above: For Kultur - Sara Hughes, 2010, Hawke's Bay Museum & Art Gallery, Photography David Frost For Kultur is colourful installation and Hughes's first exhibition in New Zealand since returning from her pretigious art residency in Berlin. The work is Hughes's unexpected response to the wealth of objects held by the Hawke's Bay Cultural Trust and it brings a fresh perspective to the positions museums play in preserving the stories of our communities, histories and cultures.
Bottom image above: For Kultur - Sara Hughes (Detail), 2010, Hawke's Bay Museum & Art Gallery, Photography David Frost.
Top image above: For Kultur - Sara Hughes, 2010, Hawke's Bay Cultural trust/Ruawharo Ta-u-Rangi, Pincushion, R165/18d, Photography David Frost. With over 100,000 individual items collected over 150 years, the Hawke's Bay Cultural Trust's collections offered the ideal place for Hughes to explore these ideas. Over the past six months she has been working closely with the the Hawke's Bay Museum & Art Gallery team, discovering and uncovering different items within the collection. This research sparked an interest in how diverse objects can come together to create new meanings.
Applying these ideas to her practice as a visual artist, Hughes embarked on creating a collection of her own, exploring the different voices and associations that develop between her new objects and those held by the collections of the Hawke's Bay Cultural Trust.
The end result is a charming assembly of familiar objects that (literally) throw new light onto the subject of collecting. Unlike many installation shows that often strike terror into the hearts of the 'artistically uninitiated', For Kultur, is an inviting display that is drawing in enthusiastic audiences. It is the final major exhibition at Hawke's Bay Museum & Art Gallery in the lead-up to the gallery's closure for re-development during 2010. A separate artwork by Hughes will become a significant feature of the new Hawke's Bay Museum & Art Gallery wing when it re-opens. For Kultur runs until June 27. All images supplied by Hawke's Bay Museum & Art Gallery. www.hbmag.co.nz

Friday, February 19, 2010

For Furniture Fans.

'Ply-ability' is the first exhibition in New Zealand devoted to the fascinating story of innovation and change in New Zealand plywood studio furniture. I was sent these gorgeous images from the show, which is showing at Hawke's Bay Museum and Art Gallery until June 27.
The exhibition is a celebration of the extraordinary talents and innovation of one of New Zealand's most important furniture designers, Garnet Campbell (Garth) Chester [1916-1968], who was a self-taught designer who worked from the 1940s through to his retirement in 1964. He is recognised for his innovative bent-plywood furniture designs from the mid-late 1940s and for his steel-framed designs from the 1950s.
Ply-ability also recognises the work by other New Zealad designers working with plywood. It includes rare examples of local Modernist furniture, experimental works by amateur designers and designs by some of our leading contemporary furniture designers - like David Trubridge, Humphrey Ikin, a number of architects (John Scott, Michael Payne and Allan Wild) and many more. www.hbmag.co.nz

Saturday, August 8, 2009

Museum and Art Gallery Redevelopment Announced

Image Courtesy Hawke's Bay Museum & Art Gallery Great news announced last night! The Napier City Council has launched a $17-million plan to redevelop the Hawke's Bay Museum and Art Gallery and this is what it will look like - I think anyone who knows the existing building will agree this is a HUGE improvement. The redevelopment will kick off in mid-2010 and director of the museum and gallery, Douglas Lloyd Jenkins says he is committed to retaining the history and character of the current building while introducing light and space, and making better use of existing areas. "Our exhibitions are innovative and extremely well-received and we have some of the best collections in New Zealand but a lack of space means we aren't always able to fulfil our potential," he says. "This project aims to re-package the outside to match the wealth of objects and projects outside." The redevelopment will make full use of the existing architectural features and it will add more storage, work space and archive rooms. A work by one of my favourite New Zealand artist, Sara Hughes will also run the length and height of the facade of the new building, creating a striking first impression for visitors. Sara's work at Christchurch Art Gallery last year had a real WOW factor and you can see that if you put her name into my blog's search box, above left. It goes without saying that the redeveloped building will be equally enlivened by her bright, bold expression. The Hawke's Bay Museum and Art Gallery has a rich history of cutting edge architecture. The first wing was designed by acclaimed Art Deco architect Louis Hay in the 1930s. The Century Theatre, which has become the cornerstone of culture and performance in Hawke's Bay, was designed in the 1970s by leading modernist architect, Guy Natusch; and the architect for the 2010 redevelopment is Richard Daniels of Opus International Consulting. Daniels was the lead architect on the Staples Rodway Building in Hastings and the new Hawke's Bay Regional Council offices in Napier. A project website has been set up and you can view redevelopment progress from today - August 8th - at http://www.forus.org.nz/. More information on Sara Hughes, who works with bold colour and repetitive pattern on a grand scale, can be found at http://www.sarahughes.co.nz/

Monday, June 29, 2009

Long Live the Modern

Image courtesy of Hawke's Bay Museum & Art Gallery, Napier.
Image acknowledgements: Cedric Firth - Monro State Building, Nelson 1966, photographer Geoffrey C. Wood Studio, 66217c courtesy of Nelson Provincial Museum
I LOVE books full stop; but I especially love the sketchbooks, notebooks, and journals of artists and designers. So I’m naturally wishing I could be in Napier later this week for the opening of “Long Live the Modern – New Zealand’s New Architecture 1904-1984,” an exhibition that brings together photographs, original drawings, period books and journals, as well as new architectural models and recent photographs of eleven key buildings from around New Zealand. In addition, it features a section focussing on the works of three key Hawke's Bay architects - John Scott, Guy Natusch and Len Hoogerbrug. Opening at Hawke’s Bay Museum & Art Gallery on Friday night, the show was initiated by the publication of a book by the same title, edited by Julia Gatley and published by Auckland University Press. Curated by Gatley and Bill McKay, from the University of Auckland School of Architecture and Planning, the exhibition focuses on the Post-World War II period, which saw enormous government expenditure on housing, public buildings and infrastructure projects, and a concurrent wave of private and commercial developments. Both the book and the exhibition, it should be noted, “use the word ‘modern’ in a very broad way, pursuing twentieth-century architectural initiatives concerned with the new – new technologies, new materials, new forms, new building types, new ways of living – initiatives embedded with the belief that the new would necessarily change lives in positive ways.” The exhibition is being toured by Gus Fisher Gallery and University of Auckland. www.hbmag.co.nz

Wednesday, March 4, 2009

When Art Meets Tin Cans

Works by Ben Pearce. Images supplied by Artist.
I’ve written about Napier artist/sculptor Ben Pearce before – click on his name in the label line below and you’ll be able to read about him in his studio for instance. Now he’s emerged from his home-based workplace to present a new show at Hawke’s Bay Museum & Art Gallery called Utterance. It’s all about survival, adaptation and communication - “work that explores the physicality of altered and protected memoryscapes; a kind of memory map town, using the image of the tin can to allude to survival, disasters and preservation.” Ben has also made a full-scale grandfather clock as “a kind of tribute” to his great-grandfather, who worked as a watchmaker but he views the piece as “a kind of treehouse at the same time, a place for solace and isolation.” Ben’s world of ‘fantastic creatures, of writhing chrysalis-like forms that appear to colonise tin cans carefully created from hardwood timbers, is set to open in Napier on March 7th and runs until May 17. www.hbmag.co.nz www.benpearce.co.nz

Wednesday, December 3, 2008

Ceramic Celebration

I’ve just caught wind of an exciting 2009 touring exhibition that, sadly, is not coming to Christchurch. If the preliminary photographs I’ve been sent are anything to go by, Len Castle: Mountain to the Sea” looks to be a spectacular show. Organised by the Hawke’s Bay Museum & Art Gallery, it opens in Whangarei on December 14th this year and travels to Auckland, Rotorua, Palmerston North, Nelson and Invercargill in 2009. It presents a stunning collection of Castle’s ceramic work – approximately 60 works from his Volcanic and Sea Secrets series that he has been developing since the 1990s – in partnership with photographic images of the landscape that inspired his works, plus poetry by ten leading New Zealand poets. Castle, one of our best known ceramic artists, has been photographing our rugged volcanic landscapes since the 1960s and I expect it will be quite something to see his dramatic images in unison with the spectacular ceramic works that mimic elements of the land.
Supplied Images: Top: Tongariro Emerald Lake c.1985. Photo by Len Castle; Centre: Len Castle 2008, Photo by Chris Hoult; Bottom: Sea Secret, 2005, Earthenware. Photo by David Frost.

Thursday, October 16, 2008

An Experiment in Interpretation

I’ve always loved the notion of taking a group of creative people from a range of artistic fields and giving them a single project – and then sitting back and enjoying the diversity, the similarities and the infinite creative possibilities that result. So I was delighted to read about “LIKE: An Experiment in Interpretation,” which opens at the Hawke’s Bay Museum & Art Gallery in Napier tomorrow night. It’s the brainchild of Nelson-based artist and curator, Stella Chrysostomou, who started the experiment with the selection of a simple, geometric object that was ambiguous in shape and function. The object was then described in written form by leading New Zealand poet, Bill Manhire and his description was sent to nine national and international jewellers, who were asked to interpret and ‘decipher’ the object based on Manhire’s text. Wonderful stuff and, as you can see from the three pieces here, the exhibition presents an intriguing display of creative thought and object making. The original object is also on display in a show that runs through to March 22, 2009. You can see all the work, the artists’ responses to the project plus the original object and Bill Manhire’s text at http://www.icebox.org.nz/ Works displayed here are by: top: Gavin Hitchings (silver); Centre: Fran Allison (silver); Bottom: Caroline Gore (oxidised silver and steel cable). Photographs are by Stella Chrysostomou.

Thursday, June 26, 2008

In......'the Devil's Workshop.'

I visited the Hawke’s Bay Museum & Art Gallery this morning and was very taken with their giant word – museum (no surprises there) emblazoned across one side of the building. I could hardly use the excuse that I was late because I couldn’t find the place. No surprise either, that I wasn’t allowed to take photographs inside, which is a pity because I’d love to show the set of works that I was spellbound by. They were on display as part of “Idle Hands are the Devil’s Workshop” – and were a series of large suspended banners by the late Lilla Esam, a widow who lived in Hawke’s Bay, raising her family and running an orchard until her death in the 1940s. Beautiful in their subtlety and detail, they depicted a wide range of scenes and images and…wait for it….. they were made entirely of postage stamps stuck onto linen banners to create a mosaic of image and pattern. They give stamp collecting a whole new meaning! I adored them and a walked away wondering how many other ordinary New Zealand households are repositories for astonishing feats of creativity. The show is on until July 20 so if you’re in Napier and you fancy yourself as a philatelist – or even if you don’t – make sure you see them. www.hbmag.co.nz

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