Wednesday, January 26, 2011

At The Mall - A Modern Phenomenon

What I love about carting a camera with me everywhere I go, is that it forces me to look at the everyday world around me in ways I may not otherwise consider. I also have this theory that, wherever there are people and wherever people have been, there is always a photograph waiting to happen. And so to shopping malls........ those readily replicated retail ramblings that we all love to hate. I spend a lot of time in malls but always prioritising people-watching over shopping. I'm intrigued by the role shopping malls now play in everyday New Zealand life; how they've become a meeting place as much as they have a retail cluster; how they've become a chosen hang-out for kids after school and in weekends. I especially love the mania that descends on shopping malls in the lead-up to Christmas. There's no telling what will happen then as patience wanes and tempers flare, as kids grizzle and throw tantrums, as parents try their best to deal with the situation.
When you consider that Al-Hamidiyah Souk in Damascus, Syria dates back to the 7th century and Isfahan's Grand Bazaar in Iran was operating in the 10th century, it's plain the mall is nothing new. The Grand Bazaar of Istanbul was built in the 15th century and with 58 streets and 4,000 shops, it's one of the largest covered markets in the world. And a mall, after all, is really a modern market. In its current guise, it has its origins in the 1920s and became especially popular in post-war America with the expansion of suburbia and the rise of the automobile.
The downside of that of course, has been the demise of inner city preccincts the world over and if you live in Christchurch, New Zealand, you can see that in action on any given day. I doubt there is another city in New Zealand that has become so dependent on its ever-growing number of suburban malls - complexes that get bigger and bigger and blander and blander. Meanwhile, recent earthquakes aside, the inner city languishes. I travel all over the country regularly and I'm always disappointed when I come back to inner city Christchurch and see so few people about. Much-smaller Dunedin has a far more stimulating and energetic inner city life than Christchurch; even small provincial centres like New Plymouth can give it a run for its money.
Mall developers meanwhile, continue to get town planning permission to expand, and to erect new concrete monstrosities on the city's outskirts. I'm not a big shopper - it's certainly not a leisure activity for me as it is for many - but I'm sure I'd spend more money in malls if they weren't all the same, if the same boring chain stores didn't keep popping up all over town. The retailers and mall owners certainly go to extreme lengths to help potential customers part with their hard-earned dollars. They filter pleasing aromas into the perfectly-warm/cool air, they play soft music and have you noticed how malls are increasing becoming like a public living room, complete with leather sofas, tables, potted plants and colourful floor rugs - you very own lounge right in the middle of the mall, close to temptations of every sort, with a steady flow of mall food and drink to hold your interest a bit longer.
And while all that's going on, there's me, sidling around shop fronts snapping mannequins, lurking on the sofas, photographing people's feet as they hurry by and always looking for a happy marriage of colour, texture and graphics. On a recent visit to Riccarton Mall here in Christchurch, I was accosted by one of the mall managers, who asked me to stop photographing shop windows. I played innocent and told him I was just testing the parameters of a new camera (which wasn't altogether a fib). When I asked why I had to desist, he spun some yarn about shop owners not wanting the store windows photographed because of copyright issues. 'Well hello Mr Man,' I wanted to say, 'Why on earth do you think I'd want to copy any of this?'
And here's a new phenomenon to consider - dead malls!
The unsuccessful, the abandoned malls of America all neatly catalogued in one handy website

Tuesday, January 25, 2011

Monday, January 24, 2011

Reflecting on Melbourne

It's that time again - when my thoughts turn to Melbourne.
Sadly, I have to wait a few months before I can return, but I've been pottering about in my Melbourne photo files again and here's a few of my favourite cafe and restaurant windows.
Windows, graphics, reflections - always a big attraction for me.
Above, Flinders Station reflected in a pub window.
A whispy set of reflections at the classy Spanish restaurant, Movida Coffea at the Queen Victoria Market
Highrise reflected in the Negroni window
Ito in Chinatown
And some of Ballarat's terrific architecture reflected in the Grand Hotel window.
I still shudder when I remember how baking hot it was the day I visited Ballarat. I fell in love with the place - mostly with its architecture - because certainly the heat just about killed me.....as did missing my footing and falling over and whacking my head on one of those historic stone walls! The stuff of good travel tales.

Friday, January 21, 2011

City Scene - 11

I photographed this architect's office in Ponsonby in Auckland.
I liked the way they'd beaten the random graffiti artists to the job, covering one side of their building with some eye-catching 'street art' of their own.

Wednesday, January 19, 2011

Knitted Graffiti - Warm Trees & Other Woolly Features

When a group of artists called Knitta kicked off a burst of 'knitted graffiti' in Houston, Texas in 2005, they probably had no idea that they were spawning a new international movement. Put 'knitted graffiti' or 'yarn-bombing' into Google these days and you'll be treated to a colourful worldwide phenomenon designed to "make street art a little more warm and fuzzy."
In the wake of the September 4, 2010 (7.1) earthquake in Christchurch, yarn bombers have been hitting the city's demolition sites and wire barricades. On the weekend, I photographed this colourful tree in Latimer Square and the below Nativity scene, which was part of a Christmas display on the wire barricades cordoning off the severely damaged Oxford Terrace Baptist Church. I have no idea who is responsible for the work but I love it.
When I mentioned these knitted treats on Twitter recently, someone asked me 'what was the point' and 'wouldn't knitters be serving a better purpose by knitting hats for the needy?' Quite possibly, but my answer to that was simple - if you'd been sitting through the 4,500+ after-shocks that Cantabrians have had to endure these past four months, you too, might be happy to see something as simple, as pleasing and as whimsical as a flock of knitted sheep or a tree 'dressed for winter.'
That sort comment - that knitted graffiti is "aimless, a waste of time, worthless, a joke, nonsense" - is not uncommon. Similar remarks have been recorded worldwide. I see urban knitting differently. I think it's brilliant and what can possibly be wrong with beautifying public spaces in such a harmless way. I like good street art of the painted variety, but if you want "aimless, a waste of time, a joke" you only have to look at the hideous, pointless tagging that beautifies nothing. And sadly, as Christchurch's heart is punctuated with tatty patches of earthquake ruin, that pointless (painted) tagging seems to be on the increase.
So usher in the knitters I say!
Usher in the 'world's most inoffensive graffiti.'
The other great quality of yarn-bombing is that brings people together - young and old - and makes them smile. We need smiles - everywhere - but especially in Christchurch right now. To illustrate that very point, when I was photographing the tree in Latimer Square, I was approached by a French tourist. He was bewitched by the tree and spent as much time as me photographing it. It led to some great conversation about the earthquake, about Christchurch and travelling. An unkempt, possibly hung-over person joined us - initially to ask for money but he too, seemed taken with the tree. I took his comment: "Rad man!" to be something of a compliment. A family also came by - "Look Mummy, the tree is wearing a cardy," said one of their young daughters. The yarn-bombers have been busy. Park benches and city statues have also been embellished. Sadly, the powers-that-be have seen fit to remove the hats and satorial decorations from the city's public sculptures (more's the pity in some cases), but the 'knitted' trees and the earthquake barricades remain. I find something very touching in that. Knitting is one of those old crafts that reeks of 'home,' of comfort, of warmth, of security - all the things that have been torn assunder for many Cantabrians; and for me, the yarn bombing - quite apart from the humour and the brightness of it - has done much to 'humanise' the earthquake ruins.

Tuesday, January 18, 2011

Barry's Provocative Unpublished Minutes - 120

"Marguerita and Maxwell After Seeing The Fabulous Mr Fox." One of New Zealand's top printmakers sees the world in a series of images. Click on Cleavin in the label line below to see more in this ongoing series.

Monday, January 17, 2011

Rubble and Revival - The Christchurch Earthquake

While many of Christchurch's inner city buildings are still fenced off behind safety barriers and others have vanished completely after rapid acts of demolition following the September 4 7.1 earthquake and around 4,500 after-shocks in the four months since, others are already rising from the dust. I cycled by this suburban corner shop yesterday - a few weeks ago a blank section after demolition and now rising afresh. It's a furniture restoration business that has been on this Edgeware corner for decades and, as the sign on their fence suggests, they're not leaving any time soon.
Manchester Courts meanwhile, is a sad pile of rubble that grows smaller by the day. They're talking about opening up that section of Manchester Street again soon and within a few months, I suspect many people will have forgotten what the building even looked like. There's talk the building's owner is planning a modern, three-storey replacement building. I for one, am hoping for unbelievable architectural excellence; that's the only thing that will compensate in even a tiny way, for the demise of Manchester Courts - but as is the way of things, I suspect we might all be disappointed a second time round.
Meanwhile, the Carlton, that great old battleship of a pub on the corner of Papanui and Carlton Mill Roads is sporting some very handsome bracing - above and below. It may well be that I have been living in an earthquake zone for too long, but I'm beginning to see an unexpected 'beauty' in all the ruins and demolition sites, in the bracing and supports and in the graffiti and signs that are emerging around the city.
For some off reason, a part of me expected things to 'come to a standstill' after the unholy shaking of the initial quake and the most powerful after-shocks, but as the big Boxing Day after-shock proved, there's nothing much at all 'standing still' in this city. Every time I roam the city, I find something new - for better or worse - as locals try and resume normal lives.
And what's happening to all those bricks?
You may well ask.
Some have been crushed I believe - for road fill and other similar jobs.
Others pile up in growing heaps on vacant lots. Some have probably been purchased by canny recyclers. One thing is for sure, never was there a better time for Cantabrians to be considering a solid brick barbecue, a garden fireplace or a quaint brick pathway.

Sunday, January 16, 2011

Friday, January 14, 2011

City Scene - 10

A blurring of layers on the city night watch.
New Year's Eve, Christchurch. 2008

Tuesday, January 11, 2011

Barry's Provocative Unpublished Minutes - 119

" Boxing Day in the Mall."
Nothing escapes the critical eye of one of New Zealand's top printmakers.For more in this ongoing series, click on Cleavin in the label line below this post.

Thursday, January 6, 2011

City Scene - 9

The morning after. I'm always intrigued by the number of empty bottles left quite strategically placed around the city after weekend drinking sessions at city bars. It's almost as if the drunks need to balance a bottle somewhere precarious to prove to themselves that they're quite (erroneously) sober.

Wednesday, January 5, 2011

Page by Page

I love paper, I love books, I love words.
Put them altogether and I'm in heaven.
I also adore bookbinding and while I've done a ton of it, I have never - and will never - come close to the skill level of one of New Zealand's best bookbinders, Michael O'Brien of Oamaru.
I called into Michael's studio in Tyne Street - in the town's Historic Precinct - when I travelled south in the middle of last year. It's a time warp, a place where you step back into a world of traditional handcrafts. Michael himself is the master of retro-dressing and is usually found in a kilt, or perhaps in classic Edwardian dress....his favourite era.
Michael did a traditional bookbinding apprenticeship at Auckland Public Library and then, in 1986, he headed for Europe to hone his skills. He worked 60 hours a week in a traditional British bindery and took classes in the evenings, with some of the United Kingdom's finest binders. Returning to New Zealand in 1988, he set up business in Auckland, before later shifting south to the calm of historic Oamaru.
Getting people to recognize the value of the traditional bookbinding craft has taken time and perseverence but Michael has never compromised on producing the finest books made from the finest papers. While some of his most extravagant leather-bound books, made from archival paper can sell for up to $600 each, he also produces a wide range of stunning books made from recycled paper, which generally sell for much less. Understandably, he now has a big waiting list for his custom made books and he must be pleased to know that the publicity he's received for his own efforts and craftsmanship, have helped spawn a renewed interest in this ancient craft.
I have a cabinet filled with handmade books - some my own but many crafted by traditional bookbinders and artists from around the world. Some are filled with content; some are limited editions; some are completely one-off works of art; and many are beautiful, 'empty books' that I've been unable to resist - reserved for that "special project." Among them are a handful of Michael O'Brien books. It's a collection that keeps growing.

Tuesday, January 4, 2011

Barry's Provocative Unpublished Minutes - 118

"An Approaching Southerly Front."
Top New Zealand printmaker, Barry Cleavin comments on Canterbury weather.

Sunday, January 2, 2011

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